SoundBombing

Gomekxx 08-09 Best

2010-02-27T18:39:00.009+01:00

Since it took me so damn long to post my Best Of list, I threw together a bonus Gomekxx featuring a track from each of my 2008-2009 favorites. Totally random sequencing again rules the day here... I just went in order that I listed them in my last post. These are all sweet tunes, and I had to close with MGMT's "Electric Feel" once again because MGMT's "Oracular Spectacular" is not only my favorite Album of the Decade, but "Electric Feel" is my #1 Song of the Decade as well. Maybe one day I'll compile a list of Songs of the Decade... but don't hold your breath!

He Wasn't There : Lilly Allen - It's Not Me, It's You

Light Sweet Crude : Obits - I Blame You

Wet Hair : Japandroids - Post-Nothing

Terminally Chill : Neon Indian - Psychic Chasms

Lady Madrid : Pereza - Aviones

Imazeghen n Adagh : Tinariwen - Imidiwan:Companions

Fresh Born : Deerhoof - Offend Maggie

Paris Is Burning : Ladyhawke - Ladyhawke

Golden Age: TV on the Radio - Dear Science,

Raise Me Up : Hercules and Love Affair - Hercules and Love Affair

Rollerskate Jam : Plantlife - Time Traveler

Official : Q-Tip - The Renaissance

Electric Feel : MGMT - Oracular Spectacular

Download HERE

Best of the Decade

2010-02-27T02:53:00.004+01:00

It's oh-so-overdue but it's finally here... my lists of the Best Albums of last year, 2009, as well as my Best of the Decade. Have I missed some stuff I'm going to kick myself over? Most definitely, but I didn't want to sit on this any longer.

The list is strictly limited to new releases. A true read of my listening habits in the past decade would show me listening to this kind of stuff about 30 to 40% or the time, with the other 60 to 70% dedicated to older reggae, dub, punk, and African. Check 'em out, check the sound for yourself, and share your bests with me!

BEST RELEASES OF 2009

Lily Allen – It’s Not Me, It’s You

Obits-I Blame You

Japandroids – Post-Nothing

Neon Indian – Psychic Chasms

Pereza-Aviones

Tinariwen – Imidiwan: Companions

BEST RELEASES OF THE DECADE

2008

Deerhoof - Offend Maggie

Ladyhawke – Ladyhawke

TV on the Radio - Dear Science

Hercules & Love Affair

Plantlife – Time Traveler

Q-Tip – the Renaissance

2007

Tinariwen – Aman Iman: Water Is Life

Jarabe de Palo- Adalantando

Greyboy Allstars – What Happened to Television?

2006

Lily Allen-Alright, Still

Fito & Fitipaldis – Por la boca vive el pez

Julieta Venegas – Limon y Sal

2005

Arctic Monkeys – Beneath the Boardwalk

M.I.A. – Arular

Pereza – Animales

Sharon Jones & the Dap Kings – Naturally

2004

the Donnas – Gold Medal

2003

Julieta Venegas – Si

2002

Neil Finn – 7 Worlds Collide

Wilco – Yankee Hotel Foxtrot

2001

Cake – Comfort Eagle

Weezer – Green Album

Bjork – Vespertine

Aterciopelados – Gozo Poderoso

Radiohead - Amnesiac

2000

Regurgitator - …Art

Bjork – Selmasongs

Sleater-Kinney – All Hands on the Bad One

Radiohead – Kid A

ALBUM OF THE DECADE

MGMT - Oracular Spectacular (2008)

The Idiot Box

2009-12-23T04:19:00.015+01:00

LCD, LED, plasma & pixels, scan rate, HD and 16:9... chances are this jargon actually makes sense to you. Inside most peoples' homes lurks a glossy black attention-sucking monster, whose powers for good are usually subsumed by its propensity for evil. That stuff makes for some good musical fodder, so let's chow down and chew.

I've raved before about the Australian punk scene of the late '70s into the '80s, so I won't climb up on that soapbox again... BUT if you want ONE comp that sums up the scene nicely, Do the Pop! is the one to get. I love that it includes not only the era's big songs, but also obscure gems that fans of the scene will really enjoy. The very best find for me was learning of singer Dave Faulkner's pre-Hoodoo Gurus band the Victims... and their contribution is killer, maybe the best track on the entire comp. If you hear a snippet of a dj at the end, you can tell I originally got this from the mighty Swami!

Television Addict by the Victims, from Do the Pop!: The Australian Garage Rock Sound 1976-1987 (Do the Pop, 2002)

How do you pick a cover over an original by Iggy Pop? Not lightly, but if the cover band is Radio Birdman you're in good shape (I like Siouxsie's take on "The Passenger" too, I should add). Birdman is another example of Aussie first-wave punk, and probably the most influential of all. Here they take Mr. Osterberg's tender composition and speed up the sludge to a snarl.

T.V. Eye by Radio Birdman, from Under the Ashes (Trafalgar/WEA, 1988)

Repo Man was a weird-ass movie from the early '80s, and it spawned a kick-ass soundtrack. This is second-wave punk here, of the LA variety. While that scene wasn't quite up to the standard of the first wave, it still churned out some classics. Almost everything on Repo Man falls into the classic file. On "TV Party", a young Rollins rages about the box, shouting out era-specific TV hits like Hill Street Blues and Dynasty. And it's just my theory, but I think the Rollins burp that begins the song is a tribute to the croaked "Look!" that begins Iggy's (and Birdman's) "T.V. Eye".

TV Party by Black Flag, from Repo Man Original Soundtrack (MCA, 1984)

Bonus:

The bonus track manages to stick to this post's theme while at the same time departing from it entirely... gotta love when that happens. Marquee Moon is an album I got my hands on much too late, but I've been making up for it with constant airplay since. "Venus" has nothing at all to do with TV, but it IS by Television... BONUS!

Venus by Television, from Marquee Moon (Elektra, 1977)

Gomekxx JK Mix Part 2

2009-10-22T04:30:00.008+02:00

Now then, drinks in hand, we head on to part two... as the sun-filled wind of afternoon gives way to a calm purple dusk, we toast the happy couple. Some sublime beats to celebrate.

Outta Sight : James Taylor Quartet - the Very Best of Acid Jazz (Disc 2)

River Stone : Lee "Scratch" Perry f.Robert Palmer - From the Heart of the Congo

You Make Me High : Terry Ellis - Southern Girl

Revival [Rebirth Edit] : Martine Girault - The Rebirth of Cool, Vol. 1 (US Edition)

The End : Llorca - ClubQuart00

Soulpower (Jazzanova Rework) : Marschmellows - ClubQuart00

New Craze (Populez Mix) : Javabubbaboogaloo - Javabubbaboogaloo

Gabriel : Roy Davis Jr. w/Peven Everett - JDJ Desert Island Mix (Gilles Peterson)

The Sweetest Thing : Lauryn Hill - Love Jones Soundtrack

Cuchy Frito Man : Cal Tjader - Thievery Corporation Present Sounds from the Verve Hi-Fi

M.L. in the Sunshine : Count Basic - Jazz Confusion

Stax Jam : Paul Williamson's Hammond Combo - Red Hot Go

The Reason : Sylk - Liquid Nitrogen

Reach Out : Midfield General - Chilled Ibiza

Total Time: 63.41

Download HERE

Listen Online Here:

Gomekxx JK Mix Part 1

2009-10-10T05:36:00.024+02:00

What I miss about España is just about everything... the people, the food, and the cradle of three giant mountains that we lived within...

This Gomekxx was a parting shot to al Andaluz, a mix I did to be played at the wedding of our great friends John & Karen. Not a dancefloor mix, but a cool jazzy one to start the proceedings on a typically sun-drenched day overlooking the Med. A great couple, a great time.... and less than a week later we were gone. ¡Joder!

Swing Sambaby : Trio Mocoto - Gilles Peterson in Brazil (Sao Paulo & Rio)

Brother Sister : the Brand New Heavies - Brother Sister

At the River : Groove Armada - Chilled Ibiza

Panacea : Greyboy - Freestylin'

Ether Shake : Atrapa Polvo - Gomek's Revenge

Freshman 10 : the Greyboy Allstars - Live

Fantastico : Jazzelicious - Brazil Remixed 2

Love Junkee Starring Cameo : DJ Cam - Soulshine

Noon is the Crack of Dawn : That Phat - That Phat

Russian Qualude : Karl Denson - D Stands For Diesel

Dream On Dreamer (the Angel Remix) : the Brand New Heavies - Excursions, Remixes & Rare Grooves

(When You) Call Me : Style Council - Home & Abroad

How Glad I Am : the Greyboy Allstars - What Happened to Television?

Never Give It Up : Papa Lips - High Time Now

Nautilus (Mawtilus) : Nuyorican Soul - Nuyourican Soul

Total Time: 67.45

Download HERE

¡Gomekxx Bodymix!

2009-09-17T07:23:00.011+02:00

To celebrate the arrival of our stuff from España... and most relevant to this forum, my hard drive with all my music on it... I'm debuting a whole new format. So far we've had the regular Soundbombing post and the Gomek Podcast. Now, it's time for...

....the GOMEKXX! What is a "Gomekxx" you say? It's a simple mix of songs on a certain subject (Gomek + Mix = Gomekxx. The double x is cuz it's double cheesy).

It's like a Gomek Podcast without my dulcet tones added to the mix. An improvement you say? Shut your mouth. A way of giving a fancy name to something that just means you're too lazy to put a full podcast together? Well, you got me there...

The initial installment of this earth-shaking innovation is the Gomekxx Bodymix. I threw together a slate of songs that all had a part of the body in their title... this resulted in a truly random selection, a genre-busting journey one might say. To make things more interesting I also adhered to the strict rule that the tracks would go in order from top to bottom.

This resulted in several weird phenomena, listed Larry King Style: ...longest streak of one country is Australia, with tracks 2 through 5 representing; ...the swinging jazz of "In Your Arms" falling between the rockin´"Big Mouth" and punishing "Chest Hair"; ...the absolutely unmixable transition from "Flatfoot Hustling" to "Head to Toe", making me have to put some Gomek theme music in there...

So I'll have new goodies very soon, but until then feast on the GOMEKXX BODYMIX!

Tracklist:

Cut Your Hair : Pavement - Crooked Rain, Crooked Rain

Bong in My Eye : Regurgitator - Bong in My Eye

Big Mouth : Big Heavy Stuff - Shock Records 13th Anniversary Collection

In Your Arms : Papa Lips - High Time Now

Chest Hair : Spiderbait - Ivy & the Big Apples

Funky Belly : Mighty Imperials - Thunder Chicken

Every Knee Shall Bow : U-Roy & King Tubby

Legs : Darondo - Let My People Go

Flat Foot Hustling : Dillinger - Ultimate Collection

Head to Toe : the Breeders - Head to Toe

Box/Touch My Body : Cooly's Hot-Jazztronik Presents Jazztronica!

Total Time: 68.41

Download HERE

Listen Online here:

African Side Trip to Benin

2009-08-12T03:01:00.013+02:00

Well, it's official... we won't get all our stuff shipped over from Spain for a loooong time. That means I'll be without my main resource of music files. But the search for great music never stops, and I've managed to get my hands on some quite tasty morsels lately.

My Journey to Africa series has sent me on an extreme African music kick that I have yet to shake. Oh well, it hurts so good! As I previously mentioned, the trickle of musical gems out of Africa is turning into a flood. Even small countries like Benin are being revealed to the outside world as musical hotbeds, simmering fusion stews that need to be sampled (in all senses of the term).

The first two tracks both hail from the incredible new comp Legends of Benin, released by Analog Africa. Samy Ben Redjeb is the driving force behind the comp, and is my candidate for the guy that has the best possible job on Earth... traveling throughout Africa and going through the vaults of the many small record labels there to discover what treasures lurk there. I HIGHLY recommend that you both pick up this comp and visit his blog for incredible African goodness.

The first selection is a slab of vintage African reggae from the '60s. Long before the world had heard of the likes of Alpha Blondy, Lucky Dube or Tiken Jah Fakoly, the Jamaican sound was reaching the shores of West Africa. This track is a burner that stands up to the best music coming out of the Caribbean at the time. It's also a bit of a curiosity, as the sounds of funk and Cuban music were much more likely to be run through the African filter than reggae riddims. And while it retains a healthy dose of African influence, that added flavor is not simply a distinctive keyboard sound, but a much more organic co-mingling that to my ear works even better.

Nou Akuenon Hwlin Me Sin Koussio by Antoine Dougbe, from Legends of Benin (Analog Africa, 2009)

And speaking of the funk, here's a nice take on the Godfather of Soul's sound, with the unique twist of having an accordian supply the main riff.

Feeling You Got by El Rego et Ses Commandos, from Legends of Benin (Analog Africa, 2009)

And finally some super, ultra-rare stuff from Benin... this is a long hypnotic track with a bubbling keyboard sound released only in-country, and to my knowledge it's never seen the light of day since... but thanks to the blogosphere those days are over. I can't even recall which blog I pulled this one from, but odds are it's either of the two utterly excellent African music blogs, Likembe or Worldservice. Both are chock-full to bursting with rare tracks that demand to be heard, and are backed up by solid scholarship far beyond my humble offerings.

Adin Gbanzon by Poly-Rythmo de Cotonou, album & label unknown

Special thanks to Edwin Rosell for helping me out with some file conversion issues for this post.

African Journey - Part 4: South and South-Eastern Africa

2009-06-12T11:39:00.012+02:00

All journeys must come to an end, so Soundbombing wraps up its big African tour down south. Everyone knows how the music of South Africa got big in the '80s, trading off its boost in popularity Stateside from Paul Simon and its constant presence in the news. In 1988, I found an amazing CD compilation in a small underground record shop in Melbourne, Australia, that collected the rootsy side of South African music... and I've still never heard music from that country to top it. The comp smokes from start to finish, so here are two of my favorites. I'm sure a Zulu speaker would be reduced to tears of hilarity hearing my phonics-based singalongs of these tunes.

15-Imali Impamde Yesono by Umazambane, from Soweto Street Music (Prism, 1988) 16-Angisenaba by Amentkentshane, from Soweto Street Music (Prism, 1988)

I had to include Juluka here, because a fateful showing of their "Fever" video on an episode of Night Flight way back when was one of the first sparks to my interest in African music. So 'nuff respect for putting me on the right road! They did go pretty poppy there at one point in the late '80s/early '90s, but Biza is a world away from that stuff. Listen to how thick and rubbery the bassline is here. As usual, the vocals are split between Sipho and Johnny, a white and black South African, both singing in Zulu. Ubuhle Bemvolo is an early all-Zulu-language release.

17-Biza by Juluka, from Ubuhle Bemvolo (Rhythm Safari, 1982)

Entering Zimbabwe, we get a loping, lagging-rhythm example of chimurenga music. It "electrifies" the sound of the mbira, or thumb piano, and Mapfumo is its most famous practitioner. But note that the "electrifying" is by way of transcribing the mbira lines to a guitar or a marimba, as opposed to the Congotronics method of vastly amplifying and distorting the mbira's sound... plus Mapfumo did it 15 years earlier.

18-Muchadura by Thomas Mapfumo & Blacks Unlimited, from Corruption (Mango, 1989)

And our final stop is on the island of Madagascar. Madagascar is the home of the Malagasy people, who arrived on the island not from nearby Africa but rather from the area around modern Indonesia. The local sound is based on 8/12 time.... frantic and insistant in the best possible way.

19-Indosiko Anao by Jaojoby, from Malagasy (Discorama, 2004)

I hope you've been along for the entire African Journey, and will do my best to get back up online and Soundbombing as soon as possible after our Spain-to-USA move. Until then, enjoy the 19 hand-picked tracks of the Journey with a cold beverage in hand and smile!

African Journey - Part 3: Central Africa

2009-06-12T00:55:00.021+02:00

We now move south into the very center of the continent... and here we discover my favorite of all African music, the angelic sounds of soukous, the music of Congo/Zaire. This region dominates the continent's musical world, and rightfully so... its a languid but utterly spellbinding sound which is at the heart of the debate of whether Latin music originated in Africa or the New World. The typical soukous song is marked by two parts; the beginning, slower section-known as the rhumba; and the seben, the high-energy, longer tail-end of the song that typically kicks into gear with a drum riff. Trop C'est Trop is a great example in brief, with the rhumba giving way very quickly to the sweet seben section. Tabu Ley is a Congolese legend that can regularly sell out 200,000 seat stadiums in Paris... and I saw him with Katrina & 10 or 12 others in Blind Melon's in Pacific Beach, CA. That remains one of the most unlikely, and mind-blowing, concerts of my life... 10-Trop C'est Trop by Tabu Ley Seigneur Rochereau et l'Orchestra Afrisa, from Trop C'est Trop (France Gefraco, 1990) Next up is Tabu Ley's predecessor on the soukous scene, Franco. This is classic in every sense of the word, and really shows you where the rhumba debate originates. Vicky has some sweet and super-clean guitar work starting 1.50 in, Franco's trademark... 11-Vicky by Franco, from La Bell Epoque 1966-67 (Sonodisc, 1996) Diblo Dibala was a member of Tabu Ley's band, but after years of being the featured lead guitarist he wanted to strike out on his own. Loketo was the band he formed, and they went on to make some great albums under his leadership. Extra Ball is classic, but has some cheesy keyboard sections... Soukous Trouble is a bit more rootsy so I'll give it the ever so slight nod. Kimia Eve is but one of the many classic tracks from these two albums. 12-Kimia Eve by Loketo, from Soukous Trouble (Shanachie, 1990) Charlotte Mbango is next with an all-time Casa Gomek classic. This one has been on repeat play since the late '80s, an absolute scorcher where everything falls in place together... the web of guitars, the shuffling drums, the horn blasts, the Lingala lyrics... it just all works. One of my top ten songs EVER. 13-Dikom Lam La Mota by Charlotte Mbango, from African Typic Collection (Stern's/Earthworks, 1988) And finally Sam Mangwana, a Congolese of Angolan ancestry. Mangwana was another member of Tabu Ley's band to make good on his own, and this song is yet another example of how guitar SHOULD be played... not as a shrieking air-raid siren but as a weaver of dense sonic webs, nestling you ever deeper in their seductive grasp. 14-Yenga Yenga by Sam Mangwana, from Eyebana, Volume 2 (Ngoyarto, 2003) Next Destination: South and South-East Africa...

African Journey - Part 2: West Africa

2009-05-31T23:17:00.027+02:00

Arriving in West Africa, we hear the sound of French, English, Wolof, Fula, Mandinka, Igbo, Yoruba, Hausa, and so many more languages. Such a mix creates a heady brew of music. We first start in the Casamance region of Senegal, directly south of The Gambia. We spent this Christmas in the Gambia, and the talk there was of how the Casamance would prefer to join their country rather than remain part of Senegal, cut off from Dakar and the north... The first track is from Touré Kunda, a group that had many French as well as African releases, and saw some exposure in America in the early '80s on Celluloid. When my mom took a trip to Paris, I had her pick me up a cassette and was hooked from there on in. I picked Casa Di Mansa because it gives a good example of their sound. They have a lot of great stuff in this vein, as well as an album of drum and voice only (well, very close to it...) stuff. 5-Casa Di Mansa by Touré Kunda, from Amadou-Tilo (Celluloid, 1984)

Next we round the corner and head down to an underexposed spot on the African musical scene... the tiny countries of Togo and Benin. The African Scream Contest comp is one of the first things to surface from this area, and if is any indication of what can be found there, I hope there is a lot more to come. Although it starts out in a James Brown style, Vinon So Minsou heads straight into an Afrobeat groove... except Afrobeat was yet to be born when this was recorded! Obviously some of the sounds of the scene bled into Nigeria...

6-Vinon So Minsou by Ouinsou Corneille & Black Santiago from African Scream Contest: Raw & Psychedelic Afro Sounds (Analog, 2008) The structure of Ghanaian Ambolley´s song Simigwado is built on the "dance" songs of the ´60s, in a warped funky way. Repeated listens will have you shouting out "Kwayadoof, Kwayadoof... Hebdeff. Hebdeff" in no time... and how many songs can you say THAT about?! 7-Simigwado by Gyedu Blay Ambolley & the Steneboofs from Ghana Soundz (Soundway, 2004) Holy shit, check out the killer breakbeat that kick-starts this track! Then in come the horns and guitar line... this is just so smooth it's sick. A 2007 reissue of an original 1966 release. Julius was part of the proto-Afrobeat scene in Nigeria, as was his countryman Fela. Long hard to find, the music of this earlier period is finally starting to surface. 8-Bojubari by Orlando Julius & His Modern Aces, from Super Afro Soul (Vampi Soul, 2007) Continuing on in Nigeria would be impossible without acknowledging Fela. The king and all-time champion of Afrobeat, Fela specializes in long (and I mean LONG) songs teeming with groove. He Miss Road is a typically smoking percussive funk work out, and the vocals don't even start until the 5.22 of the 10.45 minute track.

9-He Miss Road by Fela, from He Miss Road (Sterns Africa Classics, 1975) Next Destination: Central Africa...

African Journey - Part 1: East & North Africa

2009-05-29T02:19:00.012+02:00

Get that passport dusted off, because we're about to begin an epic journey through Africa, highlighting great music along the way. Today we touch down in East Africa: Addis Ababa, Ethiopia, for two tracks from the Ethiopiques series. Having spent a lot of time in Ethiopian restaurants during my former DC living stint from 1990 to '94, I'd heard a lot of Ethiopian music there. Hell, Aster Aweke went to NOVA, the community college just up the street from my first apartment. But back then I didn't like what I was hearing... too high-pitched. Well, it turns out that there was a HUGE chunk of great music in Ethiopia, but you had to dig a bit deeper in the past to get to it. First we start with Mahmoud Ahmed, who had a whole volume of the series dedicated to him. Also getting this honor was Mulatu Astatke, who's garnered the lion's share of press. But my ear prefers the rougher, rawer magic of Ahmed. 1- Era Mela Mela by Mahmoud Ahmed, from Ethiopiques Vol. 7 (Buda Musique, 1999) The next track is a hybrid, a mutated James Brown funk groove fused with Ethiopian homegrown sounds. The Godfather reached all around the globe, and his gift to Africa was no smaller than that to America... so much good stuff has come of it, enough to dedicate a future Soundbombing to. But for now, just a taste: 2- Tèmèlès by Alèmayèhu Eshètè. from Ethiopiques Vol. 3 (Buda Musique, 1998) Leaving the great land of Ethiopia behind, we take a trip to the dry wastes of the North, to Libya and the desert-soaked guitar sound of Tinariwen. Just like Ethiopian music, North African was a kind of "last frontier" for me, something that didn't interest me much... but then came Tiniwaren. This is music of nomads, swirling guitars that evoke the hot, choked landscape out of which they are born. So far the scene is pretty much them and Etran Finatawa, another Tuareg band, but this music is seriously trance inducing and timeless. Tinariwen is one of the bands most frequently heard around Casa Gomek these days. 3- Tamatant Tilay by Tinariwen, from Aman Iman: Water is Life (World Village, 2007) 4- Oualahila Ar Teninam by Tinariwen, from Amassakoul (World Village, 2004) Next Destination: West Africa...

'Cause Obits are better heard than read....

2009-05-09T23:17:00.008+02:00

After a furious flurry of posts, life and work conspired to slow me down... but no fear, I'm planning an epic, multi-part "Journey Through Africa" Soundbombing that will blow your mind.

But first I wanted to share my favorite new find of the last few months... OBITS! They feature Rick Froberg, who used to be in Hot Snakes with the almighty Swami, greatest DJ on Earth. Obits' sound draws heavily on all the classics of the garage scene... Stooges, MC5, the Saints, and especially Radio Birdman. In other words, there was no way I wasn't going to love this band.

This one's from their first release, and is the standout even among a group of very strong tracks...

Light Sweet Crude by Obits, from I Blame You (Sub Pop, 2009)

For this next one, you're going to have to forgive the SLSQ (severely limited sound quality)... but it's a historical document, since it came from the first ever Obits show, performed at Cake Shop in New York City, the band's adopted home.

Talking to the Dog/Pine On by Obits, unreleased, from 1st show at Cake Shop, NYC, 1/12/08

Hope these primal cave grooves whet your appetite for more, and Gomek will return soon!

Gomek Makasound Podcast

2009-03-28T22:02:00.010+01:00

This all-reggae podcast is the result of a great recent purchase... 12 CDs from the outstanding French label MAKASOUND. This label specializes in rare, and rarely heard, roots reggae–and they come up with some truly amazing finds. I sat on the CDs for more than a month while the songs sunk in so I could really present the best. The results are here.

All the albums are good, with the Slickers' and Hugh Mundell's offerings off-the-charts amazing.

Remember, just click on the links below to get to the download screen. You can either listen online or download for later listening. Grab them and... ENJOY!

GOMEK MAKASOUND PODCAST

Give Us a Break by the Slickers, from Break Through

Break Outs by Carl Harvey, from Ecstasy of Mankind

Judgment by Knowledge, from Straight Outta Trenchtown

Money Barrier (7" Horns Version) by Leroy Brown, from Color Barrier

Old Time Religion by Mikey Ras Starr, from Fire & Rain

Rastafari Tradition by Hugh Mundell, from The Blessed Youth

Safe Sail by Trinity, from Rub-a-Dub Soldiers

Sata (version 1) by the Mighty Threes, from Africa Shall Stretch Forth Her Hand

Tribal War by Black Roots, from Black Roots in Session

Your Mind by Delroy Williams, from I Stand Black

Grab it HERE.

Schmooove

2009-03-17T17:52:00.008+01:00

Time to get schmooooovve, with some super slinky sexy soul. First off is James Brown-lookalike Lee Fields, a funkateer from the ´70s that got a new lease on life with the increased interest in vintage funk & soul that occurred in the ´90s. He found a home at Sharon Jones' excellent home label Daptone before moving on to Soul Fire to cut this sticky sweet soul track to start the new millennium off right!

Honey Dove by Lee Fields & the Expressions, from Problems (Soul Fire, 2002)

Once known only in the Bay Area and amongst dedicated crate-diggers, Darondo is finally getting his props. He recorded a smattering of material around 1970, but then left the music scene for pursuits as varied as being an electrician, pimp, and bumming around Fiji. But thanks to the reissue-mania phenomenon that's benefitting so many music lovers like myself, his small but sweet output was finally gathered by Ubiquity Records offshoot Luv 'N Haight three years ago. It's mostly uptempo funk, but it also includes this oh-so-sweet tune that's all but impossible to resist. So don't.

Didn't I by Darondo, from Let My People Go (Luv 'n Haight, 2006)

BTW, this is an anniversary of sorts: Soundbombing's 25th post! Hope you've enjoyed the ride so far and I plan on keeping this going for a long time to come.

Lastly, a shout out to MemorySuppliers.com, home of super cheap computer memory that's going to have my iMac screaming along at high speeds soon, so I'll be able to pump out the audioblogs and podcasts even more frequently. Seriously, they have some great deals, so check them out.

Mash Upside Yo' Head

2009-03-08T22:09:00.007+01:00

Mash-ups burst onto the scene a few years back, and captured my interest with the inventive merging of two or more completely different songs to create something brand new. For those of you who haven´t heard them yet, it´s nothing more than taking a vocal track (or two) from one song and pairing it with the music from another song.

Some songs work better than others... some are simply combined because they are so different, and may match for a part of the song but sound sour or off-key in others. Similarly, the ones that use a rap vocal are almost too easy... as long as the vocal rhythm meshes with the rhythm of the track you've got a nice finished product without having to worry about the clash of dissonant notes.

Here I present the two most perfect mash-ups I've ever heard. I came across both pretty early in my experience, but they have yet to be beat. In both cases, the songs use a vocal by an R&B chanteuse. Also in both cases, everything meshes PERFECTLY... the tune, the rhythm, the natural peaks and valleys of the track. It's like they were always meant to go together. So even if you don't like the singer, or if you don't like the musician, you should still check these out, as the result of the meld produces a sublime hybrid...

Bootystition by Beyoncé vs. Stevie Wonder

Girl Wants Rock 'n' Roll by Christina Aguilera vs. Velvet Underground

These next two are examples of strange hybrids that just work, like getting your chocolate in my peanut butter. Beyoncé seems to be particularly suited to mashing up, as I could've chosen at least 3 others by her... but Beyoncé and Fugazi?! The Outkast vs. Devo track answers the question of how a blending of self-described descendants of brain-eating apes (Devo) and Atl-liens from outer space (Outkast) would sound. One last note... there's no label info on these because mash-ups are very seldom released through traditional means. Instead, they're created by DJs and posted on the internet... so go surf for some great finds of your own!

Independent Room by Destiny´s Child vs. Fugazi

Whip Ya by Outkast vs. Devo

One More Cover

2009-03-07T00:45:00.007+01:00

I wanted to include this one in my Gomek Covers Podcasts (see post immediately below), but for whatever reason, the MP3 was strangely resistant to Garageband, so I´m posting it here instead... Paul Kelly is a legend in Australia, a singer-songwriter that mostly mines the folky and even country side of music to tell his stories. He´s even got a few songs where he sings from a female perspective... so maybe it´s not so strange that he´d choose to cover Prince. No, wait... it´s still strange.

Little Red Corvette by Paul Kelly

BONUS

And just 'cause it´d be a shame to post only one song, here´s another... say Yee-Haw!

Dukes of Hazzard Theme by Weezer

Gomek Covers Podcast Part 1 & 2

2009-03-01T16:38:00.008+01:00

To quote Everlast, "just like the Prodigal Son I´ve returned!", with TWO brand new Gomek Podcasts... the first since October. No excuse except I´ve had too much fun audioblogging, but it was nice to get back in the recording booth and crank these out. My inspiration was Malia, who said she missed hearing my voice on the stereo.

I´ve also hopefully simplified the process of getting them... now you just have to click on the links below to get to the download screen. You can either listen online or download by choosing the "download original" option on the right. Grab them and... ENJOY!

Here´s the complete tracklistings for both shows...

GOMEK COVERS PODCAST PART 1

Police & Thieves - the Clash (original by Junior Murvin)

Lee Remick - the Meanies (o. the Go-Betweens)

More Than a Feeling - Sleater-Kinney (o. Boston)

My Girl - Spiderbait (o. Hoodoo Gurus)

Venus-the Riptides (o. Shocking Blue)

Uptown Girl - Weezer (o. Billy Joel)

War Pigs - Cake (o. Black Sabbath)

Pretty Flamingo - Paul Weller (o. Manfred Mann)

What Goes On - Bryan Ferry (o. Velvet Underground)

Download Part 1 HERE.

GOMEK COVERS PODCAST PART 2

River Deep, Mountain High - the Saints (o. Ike & Tina Turner)

Search & Destroy - You Am I (o. Iggy & the Stooges)

There Is a Light That Never Goes Out - Neil Finn (o. the Smiths)

Crazy - the Kooks (o. Gnarls Barkley)

Stairway to Heaven - Rock Lobster (o. Led Zeppelin)

Safety Dance - Dandiwind (o. Men Without Hats)

Let´s Get It On - Lloyd Charmers (o. Marvin Gaye)

Satisfaccion - Modern Art Studio (o. Rolling Stones)

Download Part 2 HERE.

Aussie Garage Part 2

2009-02-18T21:00:00.018+01:00

Aussie Garage Part 2 moves on into the 1980s...

A storm in a teacup, that´s this song. From second one the shredding guitar riff carries you into the drums and absolutely sick bass that gets the stage 30 seconds in and returns for several more hostile takeovers. Sydney´s Celibate Rifles may have humorously named themselves after the Sex Pistols, but their music was no joke. Their ´80s output for Hot records is vital start to finish. Further listening - check out "This Week" and "Darlinghurst Confidential". Bill Bonney Regrets by Celibate Rifles, from The Turgid Miasma of Existence (Hot, 1986) The Hoodoo Gurus were a mighty band in the ´80s, and are a bit part of the soundtrack of my life. The twin stars of that band were singer Dave Faulkner and guitarist Brad Shepard. While still a pup, Brad caught the punk bug and headed into the studio with his second band, the Fun Things, to rip out a rough, fast self-titled EP that crackles with energy. "Lipstick" is the most celebrated song from that session, but for me it´s "Savage", by a nose. (Label info, anyone?) Savage by the Fun Things, from Fun Things (??, 1980) Gotta love an Australian band singing about, but ignorant regarding, US geography... as the Turnbuckles do when they wail about "seaside Albuquerque". They were part of the second wave, intent on recapturing the garage sounds of the past... You´d never guess that this album was released in ´86, so they succeeded. The EP´s only got 6 tracks but they all hit the sweet spot. Groove to the Eye by the Psychotic Turnbuckles, from Destroy Dull City (Rattlesnake, 1986)

organ... Organ... ORGAN! Damn, club me with that organ riff... please! From Perth, one of the most remote cities on earth, came the Stems. Best description I´ve seen of them is "psychedelic Sixties power-pop punk" - say THAT ten times fast. Pointed shoes, stovepipe pants, mop tops, and Orbison sunglasses abounded. Tears Me in Two by the Stems [45 release] (Citadel, 1984)

Aussie Garage Part 1

2009-02-18T20:53:00.012+01:00

Although there are rock groups that I love (like Weezer and Foo Fighters), I´m generally more a fan of the groove than the riff. But a huge exception is garage rock, that primordial, monstrous and primitive guitar sound steeped in ´60s-era studio effects.

When punk´s first wave was exploding across the globe in 1977, the Lucky Country would not prove immune. But the tyranny of distance would work in Australia´s favor in this case, as their particular strain of punk rock was more immersed in the garage rock scene of the preceding decade than the rest of the world. So many classics came out in such a short time, it was like the burning of a comet... short, fast, and intense, and doomed to burn out quickly. Part 1 is composed of the giants of the scene, led by the greatest of all bands of the era (and one of the greatest bands of all time), Brisbane´s the Saints. It was almost impossible to pick a song off their first album, as all are great, from the title track that started it all, to "Story of Love", an amazing Stones-y tune, to the cover "Kissin´Cousins", which the Saints make all their own. I can´t recommend these guys enough. Demolition Girl by the Saints, from (I´m) Stranded (Captain Oi!, 1977) When I finally got to see the Saints live (Melbourne Uni, 1988), they were a band in name only. Lead singer Chris Bailey had gotten fat and abusive, hurling epithets at the audience at every opportunity. Perhaps that kind of behavior explains why Ed Kuepper, ex-Saints guitarist and co-song writer, decided to strike out on his own. He set out to "take back" many of the Saints songs he´d written, and thus called his group the Aints. Their finest moment came on S.L.S.Q., perhaps the best live album ever, but those songs are too long for posting here (for example, an almost 11 minute version of "The Wanderer" and a 7+ minute version of Ike Turner´s "River Deep Mountain High"). Ed´s gone on to make many more records, but none with the snarl of his early work. Like an Oil Spill by the Aints, from Ascension (Hot, 2003) And then there´s Birdman, fronted by American Deniz Tek. An inspiration to countless bands, they rose from the sludge of the MC5 and vintage Stooges to bridge the gap to the punk era. Under the Ashes collects it all, from groove-y workouts like "Man with Golden Helmet", to the surf-punk of "Aloha Steve & Dano". This one made a fine manifesto for the emerging de-generation... New Race by Radio Birdman, from Under the Ashes (WEA, 1988)

Weird but Good

2009-02-12T00:19:00.012+01:00

This is of a kind with my Pure Insanity post, but a notch down. There´s no menace of insanity here, just the goofy joy brought out by the deeply weird. 99 out of 100 experimental bands like these are just beyond crap, and indeed these bands themselves can suck ass at times, but the successes outweigh the failures, and the failures are at least daring. Both songs below are from CDs released last year, which is a great sign. It´s about time the stale-and-getting-staler musical scene of the past few years got a shake up. These bands may not be precursors to the sounds of the future, but at least they are reaching for something new. Deerhoof hail from San Francisco, have a Japanese woman, Satomi Matsuzaki, as a vocalist/bassist, and a drummer with a tiny, tiny kit that he bashes the living shit out of... plus, there are great guitar riffs. Offend Maggie is a very quirkly but extremely good record that has lodged deep, deep inside my brain and won´t let go. "Snoopy Waves" starts like a lost Television song before morphing into several other forms... what could you call this type of music? Dunno, but I´ll listen to a lot more of it. Snoopy Waves by Deerhoof, from Offend Maggie (Kill Rock Stars, 2008) Of Montreal´s been around since 1997, but I haven´t really checked them out until recently. The Skeletal Lamping album (their last album has to be considered for best album title ever-"Hissing Fauna, Are You the Destroyer?") could be the soundtrack to ADD... every song changes and reconfigures so many times that it´s more like a CD filled with a ton of mini-tunes. There´s wild experimentation at all times, built on a foundation of pop melodies, Ziggy Stardust echoes and Prince-style sex-sex-sex. Definitely not for everybody... I´m sure this must be banned in Wal-Mart and the Bible Belt. Oh, and they´re from Athens, Georgia, not Montreal. For Our Elegant Caste by Of Montreal, from Skeletal Lamping (Polyvinyl, 2008)

Should-Be Classics

2009-02-12T00:07:00.008+01:00

I´m taking a trip into that alternate universe where the best music gets recognized and the crap sinks to the bottom... where Ken Boothe is as famous as Sam Cooke... where a group´s worst song doesn´t become their most popular (the Cars´ "Drive, the Police´s "Every Breath You Take", etc.)... and where the three songs below are known and loved as the true classics they are. But in our world, sadly, they´re obscure, or at least unfairly overlooked. Time to rectify that. The Journeys By DJ series is a fantastic one, with at least one other classic release, 1996´s Coldcut JDJ. Desert Island Mix is a two-disc set that gives one disc each to Norman Jay and Gilles Peterson. I´m a huge Gilles Peterson fan as he´s got one of the two best radio shows in the world at the moment, currently airing on BBC Radio (the other is the Swami Soundsystem in San Diego). Peterson´s a genius at picking great music, and here he´s got a sweet Roy Davis Jr. track. This one´s a complete contrast to the frenetic funk of my last post, being a simmering slow burner in every way. The voice is flinty but smooth, the production is subdued and insistant, and those horns... perfect. Gabriel by Roy Davis Jr. with Peven Everett, from Gilles Peterson Desert Island Mix (Journeys by DJ, 1997) In one of the weirder twists of musical fate, Seke Molenga & Kalo Kawongolo, two musicians from Zaire, somehow found their way to mad genius Lee "Scratch" Perry´s legendary Black Ark studios (before he burned it down himself) in 1977. Scratch got behind the boards to work his twisted magic on a simmering stew of mostly reggae ingredients, but with a healthy helping of African flavor as well. This whole album is fantastic, and it sat on my want list for over ten years before I finally got my hands on it (having been issued in small numbers only on the SonAfrica, Jolie Zaire, and RuNNetherlands labels in Africa and Europe). The one featured here is a song now called "River Stone", but only because it is mislabeled... it´s true title was to be "Love Can Run Faster". Not only that, it´s a tack on... various financial problems prevented the completion of the album so this was added to fill out the set. If you want to hear the African stuff... and you should hear it, you´ll have to check out the rest of the album. The vocalist here is Robert Palmer-yes, THAT Robert Palmer. He´d cut several tracks at Black Ark with Scratch in ´76, in the heady days that saw the likes of the Stones and the Clash heading to JA to check out the exploding scene. His voice and Perry´s production make for a hugely satisfying combination. River Stone by , from From the Heart of the Congo (Jolie Zaire, 1977) This last track is not exactly obscure, but it certainly isn´t sufficiently recognized. I heard it for the first time in one of the tents at the Coachella festival in Indio, pumping out of huge speakers. It´s hard for me to say exactly why I love this song so much... it doesn´t really go anywhere. But I think that´s part of the appeal, as the result is a kind of delicious, suspended tension. The instrumentation is minimal, built primarily around a funky guitar strum and a single, 5-note sequence. Sunshine shows her man the hand and we all get to benefit. I´ve Heard It All Before by Sunshine Anderson, from Your Woman (Atlantic, 2001)

Too Funky

2009-02-12T00:03:00.007+01:00

Of course, there´s really no such thing as too funky... and thank God for that. But here we have some specimens that fairly drip sweat. Songs that make you say Damn! would´ve been another possible title for this one. Like the saying goes, if these don´t make you move, you must be dead. The first one comes from an early 70s release that turns up the funk from the word go and just gets better from there. Everything about this song just fits, from the killer drums to the funky bass, guitar and horns, and straight out wailing vocals. Although this one is straight-up funk, the Stovall Sisters were primarily a gospel act... so turn it up and testify! Hang on In There by the Stovall Sisters, from The Stovall Sisters (Reprise, 1971) The General Crook track not only has the standard funk instrumentation, but also adds awesome disco strings on top of everything. There are also some nice female vocals that don´t make an appearance until we´re two minutes into the track. And the subject deals with a president with a daughter who takes funk to the world... visionary indeed! Included in a 2005 comp, the original dates from the early Seventies. Do It For Me by General Crook, from Absolute Funk (Body & Soul, 2005) And just to show that true, sweaty funk is still made today, here´s one from Lefties Soul Connection, a band that brings the noise all the way from Germany. The organ is the star attraction of this instrumental track, but the web of funk-tastic sound created by all the instruments working together gives this track its super powerful punch. There´s a part 1 to Sling Shot, on the earlier Lefties´album Hutspot, but all the two share is an organ lead... otherwise they´re completely separate and different tracks. Sling Shot Part 2 by Lefties Soul Connection, from Skimming the Skum (Groove Attack, 2007)

Cities Part 2 - Africa

2009-01-29T21:59:00.020+01:00

In Cities Part 2 we jump from Europe to Africa. So much incredible music has both come from, or has been inspired by, the continent-that´s a given. But what about songs about actual African cities? They´re a much rarer breed. I had two possible choices for a Tabu Ley song, as he also recorded "Nairobi". But I figured that since he hails from Congo (the one that was formerly Zaire) I should go with "Kinshasa", it´s capital, instead. Soukous is my favorite of all African music, and Tabu Ley is king. Here´s a guy that sells out 100,000-seat stadiums in France, yet Katrina & I were lucky enough to see in a small bar called Blind Melon´s in Pacific Beach, California, with literally a dozen other people. He probably fired his tour manager after that show, but it made for one of the most incredible concert experiences I´ve ever had. Kinshasa by Tabu Ley Rochereau, from Babeti Soukous (Plan 9/Caroline, 1989) Moving north from Zaire, we arrive in Nigeria. West Africa´s musical powerhouse was not to be denied, and it gives me a chance to shout out these freakin´ genius Soundway records releases. Comps like this are on the forefront of blowing the lid off a seething continent´s worth of hidden gems. Bring it on! Lagos City by Asiko Rock Group, from Nigeria Disco Funk Special: Sound of the Underground Lagos Dancefloor (Soundway, 2008) With reggae´s strong links to Ethiopia, there were many Addis songs from which to choose. Willie Williams´ paean to the capital, former home of Ras Tafari Makonen-Emperor Haile Selassie, Selassie-I the First, Negus Negasti & Lion of the Tribe of Judah-made the final cut. Addis Ababa by Willie Williams & the All Stars, from Studio One Roots (Soul Jazz, 2001) Bonus Asia track: Hop on the plane out of Bole in Addis for the trip to Narita... Unlike Part 1, where I visited all but one theme city, Tokyo is the ONLY city I´ve been to from this post. That tells me I really need to get to Africa more... noted. Pizz5 mixes all-Japanese lyrics with a swingin´, breezy 1960s style. Here you get a remix from a low-circulated mid-90s EP.
Tokyo Mon Amour (Discotique 96 Mix) by Pizzicato Five, from Combinaison Spaciale EP (Matador, 1997)

Cities Part 1 - Europe

2009-01-29T21:57:00.035+01:00

Theme time again... the rule being that the theme must appear in the song title. I like how this method links a disparate variety of musical types. There are wider regional rules in effect, though... this group is all part of the Western rock/pop school. Today we have part one of a two-parter on CITIES. I´m a happy man in the green of nature breathing the clear air, but I also love the electricity of the concrete jungle. Cities have often been the subject of songs by the bands who love them, and Part 1 focuses on Europe, my current home continent. The Deal sisters are by far the best thing to ever come out of Akron, Ohio (honorable mention to Chrissie Hynde)... but that´s not the city they chose to sing about. Instead, it´s London that gets the honor. Although the Pixies get most of the plaudits, I consider the Breeders the much superior band. Of course, Kim Deal´s Pixies songs are great, but you have to sit through the Black Francis stuff to get to them... luckily here at Soundbombing we get right to the good stuff. London Song by the Breeders, from Title TK (Elektra, 2002) This one is a real offbeat gem I discovered on my favorite podcast (other than my own), Not Your Usual Bollocks (NYUB). I encourage you to subscribe to the podcast, it´s easily found on iTunes. This is a snapshot of the touring life of a band, but don´t worry, it´s no horrendous Journey-style-self-indulgent-boo-hoo-being-famous-is-tough-whine-a-thon. No, in typical Scandinavian style it´s much more low-key, and several million magnitudes better than that crap. I don´t know how a whole album of this kind of stuff would be, but as a one-off it hits the sweet spot. Oh, and they´re not actually Norwegians themselves, hailing instead from Mälmo, Sweden. A Beautiful Night in Oslo by Billie the Vision & the Dancers, from Where the Ocean Meets My Hand (Love Will Pay Bills, 2007) Pereza means "laziness" in español, but these guys don´t seem to fit the bill too well. They´ve put out three albums so far and tour constantly. Pereza are hugely popular over here, and deservedly so, as I feel that they´re about the best band the country has to offer at the moment. Pereza is composed of two guys, Leiva & Ruben, and in almost all their videos they are beating the shit out of each other some way (even with samurai swords!). Don´t know if it´s a reflection of real-life animosity or just good fun, but it doesn´t really matter since the music itself is so tasty. Madrid by Pereza, from Animales (Sony BMG, 2005) Bonus North American track: This is another one I found in an audioblog, although I can´t quite recall which one... if forced to guess I´d say it was Said the Gramaphone. I´m glad you´re all reading my audioblog, but be aware that there are many, many great ones out there that can expose you to a ton of great music you´d miss otherwise. My favorites are listed at the right of this page, but they are really only the tip of the iceberg. Not much to say about this sweet little confection of reggae/pop. Moffat is a Québécoise chanteuse and this song reminds me a lot of LDN by Lily Allen, but en francais and about Montréal! The home of the Habs is also the only city from this post that I haven´t visited myself... I´ll have to make it up there one day. Montréal by Ariane Moffat, from Le Coeur dans la Tête (EMI, 2006)

Pure Insanity

2009-01-29T16:16:00.016+01:00

Today´s subject: music by the apparently insane. There are some songs you hear that you call unusual, some strange, some downright bat-shit weird... then there ones like these, ones that convince you the artists that made them are several checkers short of a full set. First off is a hunk of early style boogie-woogie rockabilly from Hasil Adkins... except here the subject matter is decapitation and hot dogs, and much of the verse consists of a manic and not-a-little-creepy laugh. Hasil was a confirmed lunatic who labored in obscurity in West Virgina for most of his life. Maybe it was safer that way. No More Hot Dogs by Hasil Adkins, from Chicken Walk (Buffalo Bop, 1986) Next up is perhaps the wackier of the two, with the music as weird as the lyrics. At least the Adkins track is scored in a traditional matter, but this one sounds just like something you´d here by a motley group of dirt-streaked buskers in a piss-smelling city underpass. I must note that opinions expressed here do not reflect that of Gomek, as the world of Soundbombing is ALWAYS ALL-INCLUSIVE. That kind of thinking just proves how insane this guy really is. But you have to enjoy the craziness. Hello Lucille, Are You a Lesbian? by T. Valentine from Hello Lucille, Are You a Lesbian? (Norton, 2000)

Truca barata

2009-01-12T03:02:00.011+01:00

If you watch this space regularly you know that, for the most part, my musical loves are rhythmically based. But there is room for riffing too, as evidenced by my love for Weezer and the Foo Fighters. In a similar vein, I´ve just scratched a very strange musical itch of mine... so strange I had to share. I hadn´t gone looking for music for a few weeks because of the Christmas trip-slash-season, and once I had settled back here I tried to think waaaay back to things I´d had as a kid and should check out again. And that led me to Akron, Ohio... that´s right, Cheap Trick. As Mike Damone said, "Can you honestly tell me you forgot... forgot the magnetism of Robin Zander, or the charisma of Rick Nielsen?" You gonna argue with Damone, Ratner? I grabbed the first three albums from ´77-´78. I´d owned one of them back then, but even that one was buried so far back it was almost lost. But when I was listening again it all came back to me. Make no mistake, there´s plenty of prog-rock yucky-ness mixed with the punk/new wave stuff-the result is, I guess, a sort of glam-but I was able to cobble together a nice little time-capsule comp combining the three. Here´s the top two that I´ve been spinning, not surprisingly from the one I remember from my youth, In Color. You´ve all heard Surrender and I Want You to Want Me, so let´s dig a bit deeper. Love the slow build up on this one before it bursts forth... Downed by Cheap Trick, from In Color (Epic, 1977) Killer chorus, nice verse that even has echos of ´50s stuff in it... Come On, Come On by Cheap Trick, from In Color (Epic, 1977)

Human Disco Ball

2009-01-05T03:34:00.015+01:00

I was going to do another African post next (and will soon, Sean Bisch!) but I got caught up in the nu-disco matrix once again... First off is Cut Copy, with a straight 80s vibe on Hearts on Fire-thanks to Michael for this one. Hearts on Fire by Cut Copy, from In Ghost Colours (Modular, 2008) The next two will be featured on my soon-come podcast, BNYUB parts 1 & 2. But I can´t hold them back any longer... St. Albans, Hertfordshire based Friendly Fires followed by Ladyhawke-aka Pip Brown, the Kiwi with worldwide roots-with the absolute feel-good dance track of the whole damn year! And note that both Ladyhawke and Cut Copy are on the same label-Modular-so take notice, seen?! On Board by Friendly Fires, from Friendly Fires (WEA Japan, 2008) Paris is Burning by Ladyhawke, from Ladyhawke (Modular, 2008) And let´s bring it on back to the USA, birthplace of disco in the first damn place, with some current crazy shit, thanks to Plantlife. This guy´s stuff is killer start to finish, so savor this small taste and then go get more... Stardancer by Plantlife, from The Return of Jack Splash (Counterflow, 2004)

Year Droppin´

2009-01-03T03:00:00.011+01:00

Inspired by this, http://matthewafrica.blogspot.com/2009/01/reelin-in-years.html, here´s the same theme from me... songs with years in the title, with no comments- all styles represented. Just enjoy and Feliz Año Nuevo! 2002 Rap Up by Skillz, from Broadcast Beatz Ate (4Q, 2002) 2001 Beats by Luke Vibert, from Big Soup (Mo´Wax, 1997) 2001 by Sugarman Three, from Sweet Spot (Unique, 2001) 1990-A New Decade by Soul II Soul, from Vol. II-1990-A New Decade (Virgin, 1990) 1977 by the Clash, from Black Market Clash (Epic, 1980) 1972 Bronze Medalist by the Bad Plus, from These Are The Vistas (Columbia, 2003) 1970 by the Stooges, from Fun House (Elektra, 1970) 1969 by the Stooges, from The Stooges (Elektra, 1969)

Ignore if Australian...

2008-11-28T00:37:00.009+01:00

Anatomically Correct by Custard, from We Have the Technology (rooArt/BMG International, 1997) Pinball Lez by Custard, from We Have the Technology (rooArt/BMG International, 1997) Gomek back again with a one-band focus. If you´re from the Lucky Country, you know these guys already, but if not, then yer in for a treat. This is Custard, a Brisbane band that sadly is no more but left us with a ton of tasty treats. While certainly influenced by Pavement, they are sufficiently warped by the antipodean double-whammy of distance and too-strong-sun to result in something else entirely... Why not start with "Anatomically Correct", a song that´s already great from the title before a note is struck? And it contians the perfect segue lyric "....and his family pinball begins to reset..." which leads me to... "Pinball Lez", my favorite-ever Custard song. This is pure pop heaven, and with lyrics like ¨oh Lez come home, the cops will understand everything...¨you know there´s a lot more going on than meets the eyes. Exploration of the Custard discograpy is highly recommended... there are gems scattered everywhere. Their music serves much better than my words.

Q & A with a Drum Machine

2008-11-14T23:04:00.008+01:00

21 Questions (Disco Mix) by 50 Cent, original version from Get Rich or Die Tryin´ (Analog, 2003) 21 Answers by Lil´Mo, from Syndicated: The Lil´Mo Hour (Unreleased) After too long a layoff I´m back. The old computer is dead and now I´m packing a shiny new iMac so hopefully the music will flow. I was hesitating with this one since the songs are from the recent past, but that´s the thing with R&B and rap... they´re very "of the moment" genres that, for the most part, don´t age well. Sure you still listen to your Quest and Roots from back in the day, but Kane sounds stale ("Raw" notably excepted), and don´t even think about pulling out those Stacy Latissaw records! So today we go back through the mists of time to 2003. One really great thing about hip hop is the traditon of answer songs, settling beef through single release... gotta love that. Of course, like most things hip hop, the origin is right there to be seen in reggae. But that´s another story... This song / answer song pits Curtis Jackson against Cynthia Loving, or, if you must, 50 Cent vs. Lil´Mo. 50 fired first with "21 Questions", a song that posits the aformentioned quantity of preguntas to his lady, trying to figure out if it´s him or his fortune and fame she´s after. And of course I can´t just give you the regular version here, so here´s something you might have missed... the slinky Disco mix! Fortunately, Lil´Mo is here to fire back ¨21 Answers" and fill him in. Everyone knows 50, but Lil´Mo has always been a favorite of mine, and doesn´t get the recognition she deserves. In fact, the 2003 album that "21 Answers" was supposed to be on was scratched, and remains unreleased. The ranks of quality female MCs are pretty freakin´thin, so give respect where it´s due!

Gomek Dread Tracklisting

2008-10-02T16:53:00.003+02:00

Hope you've all had the time to check out my latest effort, the Gomek Dread Podcast, featuring only the finest in heavy roots reggae - strictly dread mi bredren! Here's the full tracklisting: Soon Come - Culture Positive Movement - the Paragons Beggars Suite, Part 1 - Pecker Rise Jah Jah Children - Ras Michael & the Suns of Negus Rasta Dreadlocks - Heaven Singers Rastaman Chant - Bob Marley & the Wailers Pumping Dub - Prince Jammy Slavery Days - Burning Spear Whip Them Jah Jan - Dennis Brown Night Shift - Bob Marley & the Wailers

African Treasure Chest

2008-09-01T18:58:00.019+02:00

Mi Ma Kpe Dje by Picoboy Band D'Aborney, from African Scream Contest (Analog, 2008) Izogie-Eronmwon by Sir Victor Uwaifo, from Ekassa (??) Oya Ka Jojo by les Volcans de la Capital, from African Scream Contest (Analog, 2008) I think I'm fairly good at ferreting out quality music wherever it's lurking, but OH SNAP, lately I've found some KILLERS! I'm going to be sharing a lot of music, so keep your eyes peeled here in the coming weeks. This week I'll start with some African stuff. The beauty of the digital world is that so much previously unavailable material is starting to surface. Super rare or local label only stuff is now much more available than ever before. The first wave of this phenomenon was with domestic US stuff like the archives of the jazz labels. More interesting for me was the second wave, where a ton of reggae and dub previously only available in Jamaica or the UK suddenly appeared. I'm still working my way through that treasure-trove... Now the same thing is happening for African music... and this could potentially be the biggest gold mine of all. Seems that in the late 60s and throughout the 70s, the continent was seething with small labels issuing discs of local musicians. And the music? Some was local African styles, totally fascinating and compelling... but even better in my eyes was the incredible fusion that was going on. The effect that James Brown had on the world cannot be understated, and when mixed with African music, some incredible shit was the result. Then there's the 60s mixes of traditional music and psychedelia. I usually shy away from that, but a kora line transposed to an electric guitar WITH acid-rock wah-wah effects? Damn... I'll keep it Sixties with this first African post with a ferocious workout. Mi Ma Kpe Dji starts out in the sonic lope of African rhythm, albeit electrified and echo-chambered, before a ferocious psychedelic guitar rips on to the scene. The rhythm guitar & drums battle it for supremacy until the end... so yeah, everyone wins. The next one, by guitar legend Sir Victor Uwaifo, shows the more traditional side of things. However, I love Izogie-Eronmwon not because of the guitar (although its lilting and sweet), or the harmonized vocals (although they are spot on)... it's that beat. This is like the missing link between Rasta Nyabinghi music and African music... and what a connection THAT is! And I need help with the label/release date on this one... the internet has no info. So if you know, tell me! And as a bonus, I throw in one more from the African Scream Contest CD that you really need to get.... Oya Ka Jojo. I love this one for two reasons: 1) further muddles the "where does rumba-type rhythms come from " question..., and 2) the brass section sounds totally drunk. Plus it just sort of starts carrying you along with it after a certain point, as often happens with African and Latin music.

Gomek Podcast Tracklistings

2008-09-01T15:30:00.007+02:00

No songs this time, just a summary of the track listings for the 5 Gomek Podcasts I've made thus far. If you haven't heard them and don't have the link to get 'em, email me at koprisko@gmail.com and I'll send you the info. More will be coming in the Fall. #1 Gomek Country Mexico – Cake Arse Kickin’ Lady from the Northwest – Tim Rogers & the Twin Set To Her Door – Paul Kelly True Fine Love – Steve Miller Band Spring Rain – the Go-Betweens Different Finger – Elvis Costello What Light – Wilco Purdy Baby – Mad Turks from Istanbul Cajun Country – Hoodoo Gurus Wedding Cake Island – Midnight Oil Country Honk – the Rolling Stones #2 Gomek Funk Part 1 Freshmen 10 – the Greyboy Allstars Funky Four Corners – Jerry-O Chicken Pox – Booker T. & the MGs Ghost Walk – the Budos Band Ghetto Funk – Boris Gardiner Funky Buttercup – the Chosen Few Mango Walk – the In-Crowd Check Your Bucket – Eddie Bo Cramp Your Style – All the People #3 Gomek Funk Part 2 the New Avengers – Snowboy & the Latin Section Hump the Bump – the Soul Company Right On - Clarence Wheeler Water No Get Enemy – Fela Kuti My Thang – James Brown Joseph’s Popcorn – the Mighty Imperials #4 Gomek Live Alive Hyper-Ballad – Bjork True Love Waits – Radiohead Down on the Corner – Neil Finn ftg. Johnny Marr Bigger Boys & Stolen Sweethearts – Arctic Monkeys Think – James Brown Love the One You’re With – Aretha Frankilin This Perfect Day – the Aints Good Times – Beasts of Burden Wildflower – Sonic Youth Lazy Bone – Shonen Knife Stop – Jane’s Addiction Roi – the Breeders You’re No Rock ‘n’ Roll Fun – Sleater-Kinney Glorious Day – Weezer Hercules – Midnight Oil Fox on the Run – You Am I #5 Gomek Disco Swami on Disco Too Much Blood - the Rolling Stones The Call Up - the Clash Disco – artist unknown Dance Have Fun- Milton Wright Candy – Con Funk Shun Feels Alright! – Regurgitator Cosmic Slop – Material Showdown – ELO Disco Members – Bjorn Torske Electric Feel – MGMT El Disco Anal – Los Amigos Invisibles Move Your Feet – Junior Senior

MGMTMJ

2008-08-30T22:46:00.007+02:00

The Youth by MGMT, from Oracular Spectacular ( Red Ink/Columbia, 2008 ) The Ending of an Era by Midnight Juggernauts, from Dystopia (Siberia, 2007) Lest you think I only look backward, here's a taste of what's happening now. If you've talked to me lately it's a good chance you know how crazy I've gone over the MGMT CD. Hell, it caused us to trek out to the desert of Almeria to see them play a show a few weeks ago. Such a glorious mish-mash this disc is, with killer hooks everywhere. I'm going to dig a bit deeper than the big 3 songs (Time to Pretend, Electric Feel, Kids) and go with The Youth, a song that starts killer and stays that way throughout. This album's such a mixed-bag but hits on all cylinders success that I have a hard time seeing how they will ever equal it. And from Brooklyn we go down under, to Melbourne's Midnight Juggernauts. Shout out to Michael Geisler for suggesting these guys to me as the "Australian MGMT". A fair characterization, especially in their ability to conjure up a catchy party vibe, like in the track showcased here. And they're a two-man band like MGMT as well. There's not as much variety in their album as the Brooklyn boys', but you could say that about 99.9% of all albums anyway. These guys are still bubbling under, so watch out for them in the future.

Rootical Vibrations

2008-07-24T19:34:00.004+02:00

Crab Race by the Morwells, from Crab Race (Burning Sounds, 1977) Bird in Hand by the Upsetters, from Return of the Super Ape (VP, 1978) I couldn't hold back any longer from an all-reggae post. I love a wide variety of music, but reggae is always where I come back to... my true favorite. And of all types of reggae, none is better than the dreader-than-dread sounds coming straight from yard in the late 1970s. "Dread" is a hard sound to describe, but it's deep and rootsy, and conjures in the mind images of hot, smoky studios filled with rasta vibrations. 1977 brought us "Crab Race" by the Morwells, a Channel One/Randy's product. Super drum and bass reggae legends Sly & Robbie are one of two rhythm sections credited to the album in general, and it sounds to my ears that it's them at work here. The throbbing heart-like bassline and insistent snare patter gives me that clue. The following year, 1978, saw the release of The Return of the Super Ape album by Lee "Scratch" Perry. Scratch is a master, and at his peak he was simply untouchable. The album became a classic, and you should really go get it if you don't already have it. This song features a chorus sung in Amharic, the language of Ethiopia, and an uncredited singer whose identity has never been revealed...

Political Mumbo-Jumbo

2008-07-17T23:01:00.008+02:00

Rockin' Funky Watergate by Fred Wesley & the J.B.'s from Breakin' Bread (People, 1974) Mr. President by the Heptones with Jah Lion from the Upsetters-Turn and Fire Upsetter Disco Dub (Anachron, 1977) Don't worry, it's not a blog about politics at all! It's an example of what I love about doing this audioblog... I can link songs by the slenderest of threads... So here we have two policaly-themed, or at least related, songs. The J.B.'s were, of course, James Brown's backing band and had some of the most bad-ass musicians of the era. This one's a fine workout, with Fred Wesley wailing from about the middle to some truly sweet rhythm guitar from beginning to end. Songs like this show why I'll always prefer rhythm guitar to lead. And the political side? Just a then-current shout-out to tack on (and chant) to a funky instrumental. Next we leave the US altogether to get a Jamaican perspective on things. It's the classic Heptones track Mr. President, in a devastating dubwise reworking by mad genius Lee "Scratch" Perry at the controls - and this is in '77, the prime of Black Ark Studios. This versions sees Jah Lion adding the hoarse-throated toasting. The dread beat, Scratch magic and Leroy Sibbles' vocals demonstrate why this is an all-time great.

Antipodean Covers

2008-07-13T23:43:00.009+02:00

Jive Talkin' by Spiderbait, from Andrew Denton's Musical Challenge (??) Comeback by Regurgitator, from Crush the Losers (Warner Brothers, 2000) This is a pure fun post, hatched late at night with many chuckles. We're focusing on Australian bands covering unlikely songs in an ironic manner... and I've come up with two prime examples. Let's start off with Spiderbait, a 3-man (OK, 2 man and 1 woman) band from NSW that can kick some serious ass with some industrial strength riffing. But here instead, we have Kram, the drummer and vocalist, singing a disco cover over a drum machine beat... gotta love it. And not to be out-roboted, we have Quan and Ben, aka Regurgitator, the current title holder of greatest band on Earth, weighing in with a track dripping with irony as always. This is from the band's EP dedicated to the Sydney Olympics entitled "Crush the Losers", and this particular song is a cover of an old 80s chestnut that I won't reveal here but I think you'll recognize.

Riffs Across the Atlantic

2008-07-08T16:10:00.017+02:00

Always Love by Nada Surf, from The Weight is a Gift (Barsuk, 2005) Dejame vivir by Jarabe de Palo con La Mari, from Adelantando (Warner Brothers, 2007) I'm kicking off the soundbombing with a comparison of killer pop songs built off the same riff. It's one of those simple riffs you get into right off the bat and doesn't get old after that. These aren't samples or EXACT copies, but you'll see what I mean.... The first use came in 2005, in Always Love by Nada Surf. This is a group my friend Dave Marony, who had moved away from San Diego to Colorado by the time this hit the radio, always loved... so it always reminds me of both him and SD. Always Love is a great example of the delayed satisfaction that really hooks me into the songs I like best (and is the primary reason reggae is my favorite type of music, btw), as the super-ULTRA-killer "I've been held back by something..." bridge waits a long time to come in. Once you've heard the song once, you'll be waiting for that moment. The first time I heard Dejame vivir, I expected the Nada Surf vocals to start and was shocked to hear Spanish vocals instead. But this is a different animal entirely, with nice lyrics-the title means "let me live", and it's an ode to freedom in general-and great vocal interplay between Pau Dones & La Mari. The song's by Pau's band Jarabe de Palo (literally "stick syrup", but meaning a whipping or beating) with the guest shot by La Mari, who heads Chambao, a huge band in their own right. Which song is better? You decide... but I say BOTH. Create, recycle, chop, remix... whatever the case, as long as the result sounds good the rest doesn't matter.